Bill Frisell offers an intimate insight into his creative process. He invites viola player and longtime collaborator Eyvind Kang and acclaimed visual artist Jim Woodring to explore his extensive note books. While the two musicians seek to make sense of Frisell’s musical thoughts and ideas, Woodring illuminates what he hears with real-time illustrations.
Featuring Eyvind Kang & Jim Woodring
Co-presented with Crossing the Line / FIAF
Over the years, Frisell has contributed to the work of such collaborators as Paul Motian, John Zorn, Elvis Costello, Ginger Baker, The Los Angeles Philharmonic, Suzanne Vega, Loudon Wainwright III, Van Dyke Parks, Vic Chesnutt, Rickie, Lee Jones, Ron Sexsmith, Vinicius Cantuaria, Marc Johnson (in “Bass Desires”), Ronald Shannon Jackson and Melvin Gibbs (in “Power Tools”), Marianne Faithful, John Scofield, Jan Garbarek, Lyle Mays, Vernon Reid, Julius Hemphill, Paul Bley, Wayne Horvitz, Hal Willner, Robin Holcomb, Rinde Eckert, The Frankfurt Ballet, film director Gus Van Sant, David Sanborn, David Sylvian, Petra Haden and numerous others, including Bono, Brian Eno, Jon Hassell and Daniel Lanois on the soundtrack for Wim Wenders’ film Million Dollar Hotel. This work has established Frisell as one of the most sought-after guitar voices in contemporary music. The breadth of such performing and recording situations is a testament not only to his singular guitar conception, but his musical versatility as well. This, however, is old news by now. In recent years, it is Frisell’s role as composer and band leader which has garnered him increasing notoriety.
Date + Time
Saturday, September 15
The Main Gallery
51 Bergen St.