50 States: Arkansas focuses on an extraordinary inter-racial same-sex relationship in a small Ozarks town in the 1920s and explores the murkiness of exhuming histories that were intentionally kept secret.
Dataatadata: Everything and Nothing is an immersive sound installation that centers around a 30 day performance and the creation of an intricate, large scale mandala.
For Important Portraits, Kalen Hollomon presents a series of hand drawn, enlarged copies of found amateur police and memory sketches that seek to explore relationships between perception and reality, intention and bias, communication and reproduction.
The installation consists of a series of glass orbs, suspended and connected in a hybrid style of shibari and ukidama, or Japanese fishing floats. Each orb holds a floating artifact of the artist’s relationship with a member of their community.
SEED / POND is an exhibit that seeks to bridge the divide between internal and external perception by offering large-scale algorithmic ink drawings to ponder as well as the opportunity to physically navigate through a gallery-wide floor drawing installation.
Unfounded is an installation sewn, welded and kept in the Glass House by craftsman/artist Calvin Stalvig, it meditates and contends with a history and home, poverty and being raised as the eldest black son of a family led by two white women. Of the many questions Unfounded asks, one Stalvig sits with is, “What does the house built by a man look like, when he is raised to build homes without a father?”
The Allotment is a mixed-media sculptural installation by JJ Lind composed of dirt, sod, reclaimed wood, clay, and other detritus recovered from his allotted native family homestead in Oklahoma and transported by Lind in a 15-foot cube truck to the Invisible Dog’s Glass House in Brooklyn.