CATCH 59 is a hydra-headed, multi-disciplinary, rough and ready performance series-event that whirls through Brooklyn every couple of months, curated with delicate irreverence by Jeff Larson, Andrew Dinwiddie and Caleb Hammons.
The feath3r theory Presents: Andy Warhol’s DRELLA (I love you Faye Driscoll) is a movement-based drag performance essay inspired by Andy Warhol’s alter ego “Drella” — a contraction of Dracula and Cinderella, envisioned by Warhol Superstar Ondine.
CATCH 58 is a hydra-headed, multi-disciplinary, rough and ready performance series-event that whirls through Brooklyn every couple of months, curated with delicate irreverence by Jeff Larson, Andrew Dinwiddie and Caleb Hammons.
A master of sonic space, Jordan Officer is an extraordinary musician and creator.
The Brooklyn Commune Global Congress will be a three-day participatory event sharing the findings of eight months of collaborative research.
The Readymade Flea will be a market party of found, appropriated and détourned objects donated by more than 40 artists and writers, with performances, music, wine, booze, and food.
The artist presents her body as an object in the space, playing with most stereotypical images of a female body
In the world of the re-Tweet, Pinterest, Instagram, and the Facebook share, appropriation is everywhere. We are constantly branding ourselves, creating and curating our aesthetic and cultural identities.
Walls and Bridges is a 10-day series of performances and critical explorations uniting French and American thinkers and artists from social sciences, philosophy, literature and live arts.
Brooklyn Beta is a friendly web conference aimed at the “work hard and be nice to people” crowd — some of the friendliest web designers, developers, and practitioners around. If you’re nice and hard-working, chances are you’re one of us. Our goal is to inspire you to make something you love, something that makes a difference.
This collaboration between Fanny de Chaillé and renowned French visual artist Philippe Ramette, comprised of twelve performances, is rooted in the duo’s shared fascination with the body and its surrounding environment of human-made objects.
The Invisible Dog will be the host of the at The Textile Art Center’s Cycle 4 Artist Residency exhibition.
TALENT! is an ongoing exhibition series featuring graduate works from the world’s leading art and design schools.
In her first-ever solo exhibition, Anne Mourier magnifies her miniaturized meditations on memory, maternity, and humanity.
No, this exhibition will not simply be a display of objects. It will indeed count a variety of paintings, sculptures, drawings… but the whole is greater than the sum of these artworks. It is also more than an installation.
Sculptor and designer, Louie Hinnen, recreates domestic interiors that become surreal when seen in abstract. The installation at The Invisible Dog will be two interactive sculptural structures.
MFA Art Practice at the School of Visual Arts is pleased to present “Current Practice,” an exhibition of work by members of the Art Practice Class of 2014.
A canary torsi’s new multimedia project, The People to Come, is a participatory performance installation that invites audience members to become part of the work unfolding before them.
The Alliance Francaise and The Invisible Dog Art Center invite you to the historic Casino Venier in Venice, Italy to witness ID artist Prune Nourry’s Genesis for the first time.
Choreographer Rebecca Lazier and indie-classical ensemble Newspeak join forces to present Coming Together/Attica, an immersive, site-specific dance work to a pulsating score by minimalist icon Frederic Rzewski.
Tundra is an evening-length performance piece with choreography by Christiana Axelsen, an original script by playwright Chana Porter, and an original composition by Tito Ramsey.
Recession Art is pleased to present it's spring 2013 group show at The Invisible Dog Art Center.
Performance and the performing body have a unique relationship to life in later capitalism.
ACTUA 1 constructs an event that both happened and did not. An exercise in futility and concentration, the piece is named after Actua One, a lost film from the May ’68 uprisings.
Twofivesix is a one-day conference hosted by Kill Screen, devoted to the spaces between games, play, interaction, and creativity.
A movement ritual for our time, last days/first field kinesthetically distills the feeling of now– what it is to live in the face of climate change, extreme weather, economic instability, and political polarization.
The Bureau of Apology is, at first glance, simply an office. Looks are deceiving and patterns can be quickly deciphered as a murky kind of bureaucratic hell begins to emerge.
Between arid ecstasy, radiant meditation, and cruel hypnosis, Duchesses explores an unlikely dance, sovereign, and prisoner from the most ancient game of humanity.
Performer and photographer, 2Fik, returns to The Invisible Dog to present a brand new body of work.
