David Thomson, whose work dwells at the intersection of movement, text, sound, and song, will continue work developing Venus, one part of a trilogy of site specific performance installations exploring the ideas of freedom and surrender through the lens of voyeurism to be presented in 2015.
CATCH is a hydra-headed, multi-disciplinary, rough and ready performance series-event that whirls through Brooklyn every couple of months. CATCH is curated with delicate irreverence by Jeff Larson, Andrew Dinwiddie and Caleb Hammons.
Fresh from the Architecture Biennale in Venice, Italy featured in the exhibit: IK-00, The Spaces of Confinement, Curated by Katerina Chuchalina and Presented by the V-A-C Foundation at the Casa dei Tre Oci, Venice Italy, A film of Coming Together/Attica filmed at The Invisible Dog,
If we are what we eat, what are we? What is America’s food culture, and where is it heading? And ultimately, how does food connect us?
The Literary Work of Trans Women Writers. Red Durkin hosts this reading celebrating trans women writers and their work. Authors who will be reading their work include: Casey Plett, Imogen Binnie, Sybil Lamb, Pauline Park, Emma Caterine, Audrey Zee Whitesides, Bahar Akyurtlu, merritt kopas, Morgan M. Page, Red Durkin, and many, many more!
On the occasion of MoMA’s Carte Blanche to celebrate the 40th Anniversary of MK2’s founding, The Invisible Dog is pleased to host a conversation between prominent film producer and art collector Marin Karmitz and ICP Chief Curator Brian Wallis.
CATCH is a hydra-headed, multi-disciplinary, rough and ready performance series-event that whirls through Brooklyn every couple of months. CATCH is curated with delicate irreverence by Jeff Larson, Andrew Dinwiddie and Caleb Hammons.
Light House is a contemporary dance piece for three dancers and thirty fluorescent lights that re-imagines the natural choreographies of water and light through the exploration of a continuously evolving environment.
Open Show organizes free curated screenings of diverse, compelling work by photographers, filmmakers and multimedia producers in high-profile spaces.
The Joyce moves beyond its Chelsea walls with JOYCE UNLEASHED, engagements designed to give audiences the chance to see cutting-edge artists performing in intimate spaces.
With A Time of Spring, Thierry Thieû Niang creates a platform where old and young, amateur and professional, text and movement can mix fluidly to tell the story of The Rite of Spring’s infamous opening as told in the diaries of its choreographer, Vaslav Nijinsky
You are going to die. And soon. But hey, in the meantime there’s baseball, steak, your family… Cold comfort, or the true stuff of life? In Mac Premo’s exhibition, he looks at how it’s the little things that make life worth living, even though they exist in the ominous, inevitable shadow of death.
For its 10th anniversary, the Festival celebrates those who have dared to stand ‘on the edge,’ risking their careers, and sometimes their lives, to speak out for their art and beliefs.
This concert from Look & Listen’s 2014 Festival will include the premiere of Dedifferentiation with Brass: Constructions by Chris McIntyre, played by TILT Brass, who also performs Homage to Perotin (In The Phrygian Mode) by James Tenney.
CATCH is a hydra-headed, multi-disciplinary, rough and ready performance series-event that whirls through Brooklyn every couple of months. CATCH is curated with delicate irreverence by Jeff Larson, Andrew Dinwiddie and Caleb Hammons.
For her project at the Invisible Dog, artist Shannon Finnegan asked people to identify things they can’t do through an anonymous online form.
The visually mind bending INTERNATIONAL WEIRD COLLAGE SHOW (IWCS) continues it’s unstoppable global expedition and shape shifting collage exhibition series with it’s 8th edition and U.S. debut at Brooklyn’s The Invisible Dog Art Center.
The Invisible Dog is thrilled to announce its first collaboration with Wallonie-Bruxelles International and Wallonie-Bruxelles Théâtre/Danse. We will present a new trans-disciplinary performance by Stephan Goldrajch.
Mac Premo’s one-man play, The Luckiest Arab in Belfast, is his look into the tension between life’s looming questions and minute details, told through a series of stories from his own life.
Prize-winning writers from Bennington College’s MFA program converge for a third year to read new prose and poetry.
From their selection of material and media, to collaborations and conceptual works, the Invisible Dog Art Center’s 33 international artists pay homage to the inspiring environment in which they evolve.
The idea for AT HOME came together out of living in a 450 square foot apartment with her family in Brooklyn. She became intrigued by how other people were doing it. How were they living in their apartments, brownstones, houses? How were they using their space?
As the third in Nick & Jake’s series of immersive multi-media installations that examine how same-sex marriage fits into the American Dream, (WEST-ER) head to the high desert of the American West.
Throughout the weekend of March 8 and 9, The Invisible Dog is yours to roam. Four fresh exhibitions, including the new Glass House gallery extension, and open access to the studios make for a personal, immersive, art experience.
The Electric Indian, the first of a three-part examination of the former Indian Territory and its descendant, the present day state of Oklahoma.
It is the summer of 1940. August, a fledgling playwright, is rewriting the play intended for his Broadway debut in a blown away beach shack in Provincetown. He is distracted by his infatuation for Kip, a handsome Canadian dancer and draft dodger, who is visiting with a wealthy and protective young girl named Clare, reputedly his sister.
SAM HILLMER & LAURA PARIS – Terror-ushers greet attendees with a shamanistic cleansing ritual as they enter Apparition, the duo Trouble’s group of overlapping environments of light, sound, and performance.
With public projects and workshops led by Beam Center’s faculty of artists, engineers, and big thinkers, the Inventgenuity Festival has become a popular annual winter celebration of making things for kids and their parents.
The Angola Project playfully straddles the worlds of live performance and filmmaking–constructing a movie in real time from fragments of film and narrative, only to have it crumble into disarray.
CATCH 60 celebrates the 10th anniversary of “everyone’s favorite” hydra-headed, multi-disciplinary, rough-and-ready performance series with a blowout birthday performance bash on two floors of the Invisible Dog.
